![]() ![]() Rotten Tomatoes score: 91% Transformers: Rise of the Beasts (2023) Image credit: IMDb The story showcases the origin of Bumblebee and lays the groundwork for future Transformers films. As their bond grows, Charlie learns about Bumblebee’s mission and the danger that comes with it. She manages to reactivate him and quickly realizes that he is no ordinary car. ![]() Charlie Watson, a teenage girl dealing with the loss of her father, discovers Bumblebee in a junkyard. However, upon his arrival, Bumblebee is heavily damaged and loses his ability to speak, taking the form of a yellow Volkswagen Beetle. ![]() His mission? To establish a base for the Autobots and protect the planet from the evil Decepticons. The story follows a young Autobot named Bumblebee, who seeks refuge on Earth after a devastating war on his home planet of Cybertron. Set in the 1980s, chronologically Bumblebee is the first film in the Transformers franchise. A guide to watching all of the ‘Transformers’ movies in chronological order Bumblebee (2018) Image credit: IMDb In between is the highly anticipated Transformers: Rise of the Beasts, which is set to release on June 9. Sure, there are the usual thrills, but the series needs a touch of that Autobot innovation to transform and rise to new cinematic heights.So without further ado, here’s the proper order of watching all Transformers moves in chronological order starting with Bumblebee, which introduces us to the Autobot scout and ending with Transformers: The Last Knight. The narrative crutch of invincibility seems permanently welded to our robotic heroes, which could have been reimagined in a more balanced way by the franchise’s seventh film. Rise of the Beasts exhibits the usual tenets of the Transformers universe, filled with plot armor thicker than Optimus Prime’s metallic exoskeleton. While it doesn’t dig deep, it’s an effort considering the expectations of a typical Transformers film are known more for robotic brawls than social introspection. The writers use that to incorporate some social commentary into the narrative. The setting in Peru and weaving Peruvian indigeneity into Autobot lore offers a unique departure from previous films. This was a missed opportunity in a series that could benefit from more nuanced character work.įor all its faults, the movie does make a noteworthy stride in inclusivity. Optimus Prime is back to his usual wet-blanket attitude, whining about how everything is their fault, while Ramos’ and Fishback’s characters struggle to compete with it all. A step back for a franchise known for at least providing the whole sensory experience. It’s almost as if they weren’t fully rendered before the film’s release. Still, it fails to match the standard set by previous entries, with the Autobots and Maximals needing more visual texture. The Maximals create an exciting dynamic, often outshining the more familiar Autobots and humans in terms of intrigue and character interest. Now, the two humans are part of a larger purpose to help the Autobots and Maximals defeat Unicron or die trying. The two converge when Scourge and company find them at the museum, where Optimus Prime and his crew also show up to do battle against the bad guys. She finds a hawk that looks like Air Razor with an unknown symbol, setting off a signal within the universe that alerts others of the key’s location. Elena (Fishback) works as an art historian specializing in alien artifacts in the same museum. An opportunity for money arises when the neighborhood hustler approaches him about boosting expensive cars from a museum parking lot, to which Noah reluctantly agrees. He’s had trouble finding work and needs money to help care for his mother (Velez) and brother Kris (Dean Scott Vazquez). Noah Diaz (Ramos), an inner-city guy, is living hand-to-mouth in the heart of Brooklyn in 1994. ‘Transformers: Rise Of The Beasts’ More Than Meets The Eye At $68M-$70M Opening – Box Office Forecast ![]()
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